![]() There is a fix that involves either DaVinci Resolve or level filters in Premiere that I described here, but these can impact your rendering time considerably. This phenomenon has been the main reason why some people have avoided using external recorders with these cameras. ![]() Basically, the contrast information is saved incorrectly on external recordings via HDMI, thus defeating the whole purpose of a standardized Slog Gamma. The Slog Problem Explainedīack in March, I wrote a scientific article on the crushed blacks phenomenon concerning the Sony a7S, Sony a7S II, Sony a7R II and Sony a6300 cameras. ![]() This LUT can be applied either during external recordings or even in post and give you back the full dynamic range of a true Slog image. But we’ve developed an extremely easy fix. The famous Slog problem cuts off blacks and highlights and gives you a wrong Slog 2 or Slog 3 image. External recordings on Sony a7 series cameras are awesome for several reasons, but unfortunately the image is crushed and there can be a loss in dynamic range when recording externally via HDMI.
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